The similar phrase 'Worldly Christianity' is one used by Bonhoeffer. It's J Gresham Machen that I want to line up most closely with. See his Christianity and culture here. Having done commentaries on Proverbs (Heavenly Wisdom) and Song of Songs (Heavenly Love), a matching title for Ecclesiastes would be Heavenly Worldliness. For my stance on worldliness, see 3 posts here.

New Focus Album - Focus 11

My autographed copy
I have had opportunity now to listen to the new Focus album several times. It is difficult to review a Focus album early on as their stuff usually repays many, many plays and it is often not until the umpteenth play that the full subtleties of a recording are sometimes appreciated. So far one is very positive certainly.
There are appropriately 11 tracks on the album. As usual, most tracks are entirely instrumental but with one vocal track. This time it is How many miles? a sort of pop song with fairly juvenile English lyrics but a good track. Two tracks were previewed on the previous stop gap album Focus Family - Clair-Obscur and Winnie. I think they are exactly the same as on the previous album. The other retreads are the opening track Who's calling? a reworking with a nice opening riff of the final track on the 1985 album called Focus and featuring Akkerman and van Leer. The second track, Heaven, will be familiar to some as a reworking of the original version of My sweetheart. This track is on the final Focus Akkerman album Mother Focus but first saw the light of day coupled with Love Remembered in 1974 at a concert in Japan.
The other seven tracks appear to be brand new. The stand out at the moment is Focus 11, the closing track, which keeps up the strong tradition of excellence those tracks all have. All the tracks on the album are van Leer compositions except for Mare Nostrum by the new bass player Udo Pannekeet. Palindrome appears to be a musical experiment that might well have come off. Mazzel is a rare reference to things Jewish. In general, the tracks feature the usual mix of bass, drums, guitars, organ, flute, lots of piano and some occasional vocalisations from van Leer.

2 comments:

Anonymous said...

Fine musicianship on this album, but the melodies were so quirky as to be untuneful (quite the opposite of their memorable, moving melodies of the '70s), and there was similarly an overreaching into harmonic dissonance that did not make musical sense (unlike the genius of Bartok, Stravinsky, etc.). Focus tried too hard to move into dense, unexpected jazz dissonance on this outing. Bad move. TOP marks for skilful playing on their respective instruments and as a band, however.

Regards,

Chris A.

Eddie said...

The lack of melodies, and the use of harmonic dissonance, the only or most relevant points of music for me, make music distasteful.