My favourite guitarist Jan Akkerman has recently been working with a Balkan guitarist Vlatko Stefanovski and in a perfect world may be I could read Serbo-Croat. In a less than perfect world I can at least get this partly informative, partly humourous translation thanks to google. (My italics).
Therefore, neither the "Thunder from the Blue Sky" can not be considered as a big surprise, not even kuriozumom: a rock-soul must be, when then-gift blues, if at all aware of themselves, especially if, as Stefanovski, while still tirelessly and prebire by raznorodnim ethno-heritage.
Therefore you can say to a greater predstavlja miracle scenario in which Skopje master revealed the end of his career, and that it was not recorded significant piece of blues - than this, in which he plays an hour and twelve minutes, with triom in an entirely new set, nor pojačanoj even less than - Janom Akkermanom.
Focus cult guitarist and one of the largest gitarskih star of the sixties and seventies with the izrasao time in almost legendarnu figure as classic, and fusion; for Stefanovskoga even showed sudbinskim choice, considering that the two musicians met by chance on jazz-festival in Kumanovo.
Although the disc during a somewhat more difficult to conclude where the Akkerman, and begins Stefanovski, and vice versa, there is no doubt that cooperation from the jovial sky (whether hence the name of the album?) was in good measure affected - it shows, but also extremely intro "Amazing Grace" , in which recognizable, very subtle guitar Stefanovskog bezgrešno fall into the well cosmic Akkermanovog arrangements.This super-miniature eklektična represents, however, only eksces in 'pravovjernom' rest of the album, which he (re) aranžerski fully signed Stefanovski - but how will it sound, much more clearly suggests šestominutni "Stormy Monday Blues," Blues sporokotrljajući epitaph T-Bone Walker.All those who had hopes Guitar duel Akkerman-Stefanovski, can forever stop visiting Betting: both musicians during the 72 minute only cooperate on the same task, without a twinge of competition.The movements will even okorjelije fans surely not find the quality of English in which Stefanovski without pardon sing all the texts. Brave maneuver, which has no: although he surely knew that no way will not be able to reach the relaxation (and related žovijalnost) crnačkih old masters, decided to catch the ukoštac with blues-vocal and largely succeeded - places where you accents and pronunciation zastružu by ear, you can enumerate fingers on a hand (eg "Need Your Love So Bad"), and his vocals holds water, although the range with years became something flat - each honor.
