The similar phrase 'Worldly Christianity' is one used by Bonhoeffer. It's J Gresham Machen that I want to line up most closely with. See his Christianity and culture here. Having done commentaries on Proverbs (Heavenly Wisdom) and Song of Songs (Heavenly Love), a matching title for Ecclesiastes would be Heavenly Worldliness. For my stance on worldliness, see 3 posts here.
Showing posts with label Alan Stivell. Show all posts
Showing posts with label Alan Stivell. Show all posts

365 Albums 46-60


  1. Beard of Stars Tyrannosaurus Rex 1970
  2. Bach for a New Age Thijs van Leer 1999*
  3. Renaissance of the Celtic Harp Alan Stivell 1972
  4. The Tain Horslips 1973
  5. The Chieftains 4 The Chieftains 1973
  6. Me Myself I Joan Armatrading 1980
  7. Guitar From the Heart Live in Raalte Thomas Blug Band 2005
  8. Tracy Chapman Tracy Chapman 1988
  9. In Another land Larry Norman 1976*
  10. Final Straw Snow Patrol 2003
  11. Six wives of Henry VIII Rick Wakeman 1973
  12. Blue on Blue Leigh Nash 2006
  13. Penguin Cafe Orchestra PCO 1981
  14. Shot of Love Bob Dylan 1981
  15. Hopes And Fears Keane 2004
(* Suitable for Sunday playing IMHO)

Retro Album 29 - Renaissance of the Celtic Harp

Renaissance of the Celtic Harp was recorded in 1972 and I discovered it a few years later through a Welsh speaking friend in Aberystwyth University. I ha it first on cassette tape then vinyl. An instrumental album, it is the work of the Breton Celtic harp master Alan Stivell. I suppose the idea of marrying traditional folk music with modern rock music, classical music and (in this case) world music was in the air at the time and this album works very well in that progressive idiom.
 The Celtic harp itself was pretty obscure instrument to me until I heard this album (The Chieftains had one. Their album The Celtic Harp came out over 20 years later in 1993). The mixture of instruments (cello, harp, electric guitars, modern drums, traditional snares and table, etc) and "its evocation of a utopian atmosphere" made it a benchmark for Celtic music revival that was apparently going on in the seventies. Music critic Bruce Elder was full of hyperbole when he wrote of the album at the time "People who hear this record are never the same again." Certainly it is one of the most beautiful and haunting records ever made.
Part of its genius is that it draws on music from practically all the Celtic nations (so increasing sales potential and saying something political at the same time). The opening work, Ys, is inspired by the legend of the 5th century capital of the kingdom of Cornwall. Other pieces are from Brittany, Wales, Scotland Ireland and even the Isle of Man.