The similar phrase 'Worldly Christianity' is one used by Bonhoeffer. It's J Gresham Machen that I want to line up most closely with. See his Christianity and culture here. Having done commentaries on Proverbs (Heavenly Wisdom) and Song of Songs (Heavenly Love), a matching title for Ecclesiastes would be Heavenly Worldliness. For my stance on worldliness, see 3 posts here.

Retro Album "of the week" 45 - Les Deux Amis plays Focus Classics

In 1985 Les Deux Amis (German classical guitarists and teachers Ansgar Krause and Thomas Müller-Pering) released a collection of 15 tracks arranged by themselves taking Focus tracks (sometimes more than one track) and giving them an attractive classical treatment. This sort of approach always holds the danger of producing muzack but that does not really happen here with quite inventive arrangements and brilliant music to draw on. You can hear Sylvia here.
The LP cover includes these words:
We have ... long been excited by the ideas of the Dutch group FOCUS which has succeeded in creating a symbiosis of classical and rock music. Ansgar Krause's adaptations prove the vagueness of the borderline between so-called U and non-U music. This is partly due to the fact that Krause makes use of the opportunities offered by polyphony and harmony (imitation, canon, repetition of themes, augmentation, etc.) created some 500 years ago in the Low Countries and further developed in the so-called Franco-Flemish School.
FOCUS has always fallen back on the use of classical or Renaissance themes and forms for their compositions. This gave us the idea of re-adapting their works back into classical guitar music. This musical encounter of various eras and styles, reaches its high point in the "Variations on Happy Nightmare". This amusing title encouraged us to include in our arrangement the well known Bourréé in E-Flat of perhaps the greatest composer of all time: Johann Sebastian Bach. We did this during the recording session which happened to coincide with the 300th anniversary of Bach's birthday, 21 March 1985. So FOCUS REMEMBERED is also a tribute to the great composers and to their world of sound, and for whom every living composer feels gratitude.
It also includes a comment from Jan Akkerman and Thijs Van Leer
"When we first heard our two friends playing FOCUS we were touched by this discovery. No superlatives are good enough to describe their virtuosity, their musicianship and their arrangements. It sounds so easy but we know what hard labor went into these microphones. We are extremely proud that they have chosen our songs which more than ten years ago were able to move millions of people around the world. This digital recording will get a place of honor in our homes."

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